In her project for the Bergen Kunsthall, she selected the photographic chemicals related to analogue photography as her subjects, to re-visualize, reshape and describe them, in order to finally redefine them. She has been experimenting on growing fractals and crystals from the photographic chemicals, to re-visualize the chemicals by making the silver mirroring deteriorated prints of their fractal patterns as their portraits; to reshape them into the crystals as the new physical objects, which are also the deterioration of the chemical products; to describe them by writing their names with the specific chemicals on a light sensitive photographic paper.